sábado, agosto 30, 2003

----------------------------------------

¡ ASTÉRIX ESTÁ DE VUELTA !

Lo que esparamos por muchos años ha sucedido.

Tenemos un nuevo libro de Astérix. El primero desde la muerte de René Goscinny en 1977, que incluye historietas firmadas por el genial escenarista. Y digo historietas, en plural, porque no es una sino ¡14!

Eso mismo, 14 historietas inéditas, 11 de las cuáles concebidas por René y su compadre, el diseñador Albert Uderzo, quien se encargó de seguir la saga, después de la desaparición de Goscinny.

Este libro
, La Rentrée Gauloise, habia sido editado originalmente en 1993 – de hecho yo tengo una copia que compré en Paris el año pasado en una tienda de libros de uso – pero jamás fue vendido sino ofrecido a medio millón de fanáticos de Astérix en Francia y Bélgica.

Esa edición inicial tenía unicamente 10 historietas y en algunos casos – como el mío – se transformó en un caso raro de bibliotecología, porque tiene un raro error de impresión: le falta la última plancha de la novena historieta y todas las planchas de la última.

Ahora, en esta reedición, Uderzó diseñó una nueva portada y agregó cuatro nuevas historietas.

No voy a hacer un resumen de ellas porque quiero que sientan el mismo placer que yo cuando lo leí. Pero no resisto la tentación de recomendar una: OBELISC’H. Cuenta las aventuras del tataranieto de Obélix, un capitán de barco en un puerto de Bretaña, que es descubierto por Goscinny y Uderzo y llevado por ellos a conocer Paris.

A continuación, tres articulos de Le Monde sobre el lanzamiento mundial hoy de
La Rentrée Gauloise.

Salut,

RUI

Ps. – Al final pueden cliquear en del titulo del libro, que comunica con la Fnac francesa, donde pueden comprarlo. El servicio es confiable, pero el costo de correo es caro, por lo cual recomiendo que sigan buscando dos o tres libros más para compensar. Vale la pena, el ahorro es sustancial.



Genèse d'un mythe

LE MONDE | 30.08.03

Albert Uderzo, le dessinateur, et René Goscinny, le scénariste, se sont rencontrés à 24 ans, à Bruxelles. Ils ont trimé ensemble huit ans avant de concevoir, en août 1959, Astérix, le plus fameux des Gaulois.

C'est une planche de rien du tout, pas même une planche d'ailleurs, seulement quelques esquisses représentant au crayon une sorte de nabot, tantôt irascible sous son casque aux ailes amovibles, tantôt surpris ou songeur comme s'il venait de voir un morceau de ciel bleu lui tomber sur la tête sous l'effet du pastis. Il faut dire que nous sommes en août 1959 et que la canicule, déjà, tape dur sur une HLM de Pantin, face au cimetière, où deux énergumènes, un verre à la main, essaient de réinventer l'histoire de France, l'un à la pointe de sa (bonne) mine, l'autre à coups de gags ravageurs.

S'ils pensent à se rafraîchir, le dessinateur Albert Uderzo et le scénariste René Goscinny sont d'abord obsédés à l'idée de trouver une idée pour le lancement prochain du journal Pilote, leur journal, en octobre. Ils ont bien pensé à exercer leur talent sur une parodie en BD du Roman de Renart, mais d'autres les ont précédés. Donc, scrogneugneu, attablés devant leur pastis, et avec un cimetière pour horizon joyeux, ils cherchent.

Cela fait déjà huit ans que ces deux-là se sont trouvés dans les locaux d'un journal belge. Ils avaient 24 ans. Goscinny avait vécu en Argentine et aux Etats-Unis. Il rêvait d'entrer chez Disney. A New York, il a débuté comme apprenti dessinateur dans une agence de publicité. Son premier travail fut de concevoir une étiquette pour de l'huile d'olive. "J'ai dessiné de très belles olives dans une allégorie de jaunes et de verts, quelque chose de très bucolique. Le client, lui, voulait une femme nue. Allez savoir pourquoi une femme nue pour l'huile ! Il payait. Je lui ai dessiné une femme nue. Mais comme je n'étais pas doué pour ce genre-là, on a dû retoucher mon dessin."

Après sept ans d'Amérique, Goscinny arrive en Belgique avec l'espoir de placer sa série Dick Dicks Détective, une histoire dont il assure textes et dessins. C'est le tout début des années 1950. Après une année blanche, il rencontre enfin Uderzo. "Ça a été une sorte de coup de foudre mutuel, avouera Goscinny. On a parlé des heures. Nous avons décidé de travailler ensemble."

A cette époque, l'un pourrait être l'autre et réciproquement. Tous les deux dessinent et écrivent leurs scénarios. (Une de leurs facéties favorites sera, chaque fois qu'on leur demande "qui est qui ?", de répondre : "moi, c'est l'autre".) Mais Goscinny se sent plus à l'aise pour traduire son humour dévastateur en mots. Il déteste camper des décors grandioses peuplés de milliers de figurants. Uderzo, lui, c'est le contraire. Réservé comme un menhir d'Armorique, c'est en laissant parler sa main dotée d'un crayon et d'un pinceau fin qu'il peut laisser libre cours à sa fantaisie. Les deux hommes se découvrent des passions communes pour l'univers de Disney comme pour Laurel et Hardy. Influencé par la vague américaine, Albert Uderzo signe des dessins Al Uderzo.

L'attelage du rire est donc constitué. Textes pour Goscinny. Vignettes pour Uderzo. Il reste à trouver un personnage et une histoire pour que l'aventure s'emballe. C'est ainsi que huit ans plus tard, à Pantin, devant un pastis...

Entre-temps, la collaboration Uderzo-Goscinny a été fertile. Ils ont créé ensemble Les Aventures d'Oumpah-Pah le Peau-Rouge où ils jouent déjà en virtuoses des anachronismes qui annoncent Astérix.

Pour Libre Junior, un supplément de la Libre Belgique, ils ont lancé le personnage de Pistolet puis Luc Junior, un jeune héros flanqué d'un chien qui n'est pas sans rappeler Tintin. Il leur faut trouver leur style propre. C'est l'humour qui les révélera à eux-mêmes et au grand public. Pour le magazine féminin Bonnes Soirées, ils se verront confier la rubrique... de la politesse. Il n'en faut pas plus aux deux complices pour rigoler sans limites, avec pour vade-mecum un petit manuel de politesse belge rempli de perles et d'obsolescences.

Il arrive au tandem de se scinder, Morris choisissant Goscinny pour Lucky Luke ou Jean-Michel Charlier faisant équipe avec Uderzo pour les aventures de Michel Tanguy. Les temps sont durs pour ces marginaux qui ont choisi de vivre pour la BD, dont l'image de marque est détestable. "Ce métier de scénariste de bandes dessinées, je peux dire que je l'ai inventé, affirmera Goscinny. On lisait couramment dans les journaux que si un malfrat avait assassiné une rentière, c'était parce qu'il lisait des bandes dessinées."

Dans son album consacré à Uderzo, Alain Duchêne rappelle que la condition du scénariste est pire encore que celle du dessinateur. Au début, le nom de Goscinny ne figure pas sur la couverture des histoires de Lucky Luke, le personnage ayant été inventé par Morris.

"A mes débuts, racontait Goscinny, il n'était pas question de gagner sa vie en exerçant ce métier. On me regardait bizarrement et on me demandait : quel est votre vrai métier ? C'est impossible que vous vous occupiez de mettre des lettres dans des ballons !"

Devant ces tracas, Uderzo, Goscinny et Charlier ont créé un syndicat visant à faire reconnaître le métier d'auteur de BD. Les éditeurs belges de la World Press voient rouge et renvoient Goscinny. Ses acolytes démissionnent dans un mouvement de solidarité, et les voilà tous les trois rue de la Bourse, à la tête de deux petites sociétés, une agence de presse et une agence de publicité, qu'ils ont fondées. Ils relancent l'illustré Pistolinpour le compte des chocolats Pupier, "un petit galop d'essai pour créer un journal", dira Goscinny en pensant à Pilote.

Les deux amis ont conçu l'aventurier Bill Blanchart, leur seule série réaliste. Puis ils inventent la série Poussin et Poussif, qui met en scène un bébé risque-tout et son chien souffre-douleur, et La Famille Moutonnet. En 1958, ils reprennent Oumpah-Pah le Peau-Rouge, qu'ils situent non plus à l'époque contemporaine, mais au temps de la colonisation américaine. "Je me suis documenté principalement sur les Shawnees, qui avaient des mœurs amusantes", expliquait René Goscinny. Amusant aussi le nom dont il les rebaptise : les "Shavashavah et Shavah bien pour eux, merci !...".

Cette fois, les duettistes agissent en toute liberté, multiplient les gags et les calembours, s'en donnent à cœur joie. Sans le savoir, ils sont prêts pour le grand saut vers le succès qui leur a tant de fois ri au nez.

C'est donc un Gaulois qui naît dans le marc du pastis, si l'on peut dire, en ce mois d'août caniculaire de l'année 1959. Et, le 29 octobre, le premier numéro de Pilote arrive dans les kiosques, soutenu par Radio-Luxembourg. 200 000 exemplaires s'arrachent dans la journée. Page 20 de l'hebdomadaire, en "fausse page", c'est-à-dire à gauche, par opposition à une "belle page" située à droite, apparaît pour la première fois une planche ainsi libellée dans son bandeau : "Astérix incarne malicieusement toutes les vertus de "nos ancêtres les Gaulois". L'humour de René Goscinny et d'Al Uderzo vous fera aimer ce petit guerrier moustachu, personnage nouveau dans le monde des bandes dessinées."

"Aimer est un euphémisme", note Alain Duchêne. C'est parti pour quarante ans de "gaulitude" plus que de gauloiseries, dont Uderzo a ainsi résumé l'esprit : "L'époque est plutôt tristounette. La France, qui sort à peine du bourbier indochinois, est empêtrée dans la guerre d'Algérie. Les Français n'avaient pas envie de se prendre la tête." Les deux forcenés de la BD travaillent sans répit, jour et nuit. Uderzo dessine jusqu'à cinq planches complètes par semaine, à raison de deux planches d'Oumpah-Pah pour le Journal de Tintin, deux planches de Tanguy et Laverdure et une planche d'Astérix. Un référendum organisé auprès des lecteurs du Journal de Tintin classe les aventures du jeune Peau-Rouge en onzième position. Les auteurs prennent prétexte de ce résultat décevant pour renoncer à la série, au grand dam de la direction du journal, qui tente en vain de les retenir.

Leur avenir s'appelle Astérix. Quand le succès viendra, et il ne va pas tarder, Uderzo abandonnera aussi les aventures de Tan-guy et Laverdure, et c'est le dessinateur Jigé qui prendra sa suite auprès de Jean-Michel Charlier. Entre-temps, l'éditeur Georges Dargaud a racheté le journal Pilote. Et en 1961, sous la pression de ses auteurs, il publie un premier album d'Astérix le Gaulois, dont le tirage initial est de 6 000 exemplaires seulement.

Quatre ans plus tard, Le Tour de Gaule sera tiré à 60 000 exemplaires, et Astérix et Cléopâtre à 100 000 exemplaires. Le succès ne se démentira plus. Le personnage est lancé. Quand un satellite tricolore est mis sur orbite pour l'espace, c'est tout natu- rellement qu'il reçoit le nom d'Astérix. Le Gaulois râleur et ripailleur, colérique et bagarreur, tendre et obstiné, a conquis son public.

Un ministre raconte aux auteurs que le général de Gaulle a fait l'appel de chacun des membres du conseil des ministres avec des noms en "ix". Voyant la partie de carte de Marius et la partie de pétanque de Fanny représentées dans Le Tour de Gaule, Marcel Pagnol dira, comblé : "Maintenant, je sais que mon œuvre est éternelle." Le dessin dynamique d'Uderzo se prête à merveille au sens narratif de Goscinny, qui multiplie les trouvailles de langage et de gags. Le "Ils sont fous ces Romains !" se taille un succès considérable, comme le "n'est-il pas ?" des grands Bretons, ou encore le "tu l'as dit bouffi" romain. Au fil des albums, des personnages connus comme Lino Ventura, Annie Cordy, Jean Richard, Guy Lux ou encore Jacques Chirac (le "néarque" Caius Saugrenus, diplômé de la Nouvelle Ecole d'Affranchis, dans Obélix et compagnie) se voient aimablement - parfois piteusement - caricaturés. (Ainsi Pierre Tchernia en Romain ivre et décadent se saoulant avec une amphore, dans le même Obélix et compagnie.)

Pendant que Goscinny, outre les histoires de Lucky Luke, signe avec Sempé les récits du Petit Nicolas et invente Iznogoud, le méchant vizirdessiné par Tabary, Uderzo s'amuse avec Idéfix, qui fait sa première apparition dans Le Tour de Gaule. "René m'avait dit : surtout pas de chien. Il refusait que le personnage ait un faire-valoir, comme Spirou avec son écureuil ou Tintin avec Milou. Un jour, curieusement, dans le scénario du Tour de Gaule, il a écrit qu'à la sortie d'une charcuterie de Lutèce où les deux héros achètent du jambon un petit chien les attend à la porte. Puis ce petit chien n'apparaît plus dans la suite de l'histoire. J'ai dit à René : ce serait drôle de continuer le gag ; l'animal est si petit que personne ne le verrait. Et, à la fin, Obélix le caresserait en faisant un clin d'œil. René a accepté. Les lecteurs de Pilote ont écrit pour revoir le petit chien. Nous avons lancé un concours pour lui trouver un nom. Cinq lecteurs ont trouvé Idéfix." Le chien d'Obélix est si petit qu'il arrive parfois à Uderzo de l'oublier en route dans une histoire. Et le voilà qui repasse sur ses planches pour le retrouver afin d'étoffer son rôle. Jusqu'aux pyramides, où son flair sortira les courageux Gaulois d'un piège terrible !

En dix-huit ans de collaboration, les deux complices réalisent vingt-quatre albums au succès toujours plus grand, sans oublier les feuilletons radiophoniques et les dessins animés (les films avec de "vrais" acteurs viendront plus tard). Leurs héros seront gladiateurs, légionnaires ou athlètes olympiques, ils visiteront les Egyptiens et les Corses, les Helvètes (une suggestion du président Pompidou) et les Hispaniques, les Bretons et les Normands, les Goths, les Belges et quelques Indiens supposés d'Amérique. Ils se disputeront dans La Zizanie, s'occuperont d'immobilier dans Le Domaine des Dieux, feront toujours en mer des traversées riches en pauvres pirates latinistes ("O tempora, o mores"), recevront de la potion magique (sauf Obélix pour les raisons que l'on sait), massacreront dans la bonne humeur des légions entières de Romains, banquetteront avec appétit autour de sangliers replets non loin d'un barde désenchanté de ne pas chanter, ficelé comme un jeune marcassin.

Mais, le 5 novembre 1977, les héros portent le deuil de René Goscinny qui vient de succomber à une crise cardiaque. L'aventure n'est pas pour autant achevée. Crânement, malgré le chagrin et la conscience qu'il a de ne pas maîtriser le scénario aussi bien que son frère de plume, Uderzo se remettra à sa planche à dessin pour réaliser seul huit nouveaux épisodes d'Astérix le Gaulois, dont le dernier paru en 2001, Astérix et Latraviata, battra tous les records de vente, avec 7 millions d'exemplaires dans le monde, et 3 millions pour la seule langue française. On imagine un Goscinny sur son nuage, répétant en se frottant les mains : "Ça est un morceau de chance, n'est-il pas ?"

Eric Fottorino



Uderzo : "Nous sommes des rigolos"

A 76 ans, Albert Uderzo met en sourdine sa réputation de timide. Mieux, la publication dans Le Monde de l'été d'une série de planches originales lui a ouvert l'appétit. Retour sur un dessinateur d'exception, et place à son nouvel album, Astérix et la rentrée gauloise, publié le 29 août.

Le rendez-vous a été fixé à un jet de menhir de l'Arc de triomphe, signe que le copère d'Astérix et compère inconsolé de René Goscinny, ne dédaigne pas les attributs de la gloire romaine. Au siège des Editions Albert-René, on rencontre des Gaulois de carton-pâte, des statuettes de tailles diverses représentant les célèbres héros d'une bande dessinée qui s'est vendue depuis quarante ans à plus de 300 millions d'exemplaires à travers le monde, en toute sorte de langues et dialectes, du souabe au finnois. Retranché au fond de son bureau comme le petit village d'Armorique derrière les hautes palissades, l'irréductible Uderzo attend l'intervieweur avec l'œil étincelant d'un Astérix gorgé de potion magique. A 76 ans, il a su mettre en sourdine sa réputation de timide, et c'est avec une passion contagieuse qu'il évoque le destin, encore loin d'être achevé, de ses personnages à "gros pifs".

Albert Uderzo, il paraît que vous aviez douze doigts à la naissance, et que vous êtes daltonien.

J'ai en effet deux doigts manquants, deux attaches qui ressemblaient à des breloques. J'avais un mois quand on m'a opéré. (Et de montrer deux légers renflements sur le tranchant de ses mains.) Je tirais dessus et ma mère craignait que je me les arrache ! Ma mère, qui a toujours su le pourquoi des choses, racontait que, lorsqu'elle m'attendait, elle était allée un jour sur un marché. A un étal de bijoux fantaisies, elle avait pris deux pendentifs qu'elle avait laissé échapper. Elle croyait que cette maladresse avait eu pour conséquence la naissance de ces deux formations sur mes mains. Heureusement qu'elle n'a pas fait tomber un kilo de patates !

Et daltonien ?

Je suis français avant tout, mais daltonien... A 5 ans, je dessinais les brins d'herbe en rouge. J'ai du mal avec le vert et le marron. C'est pourquoi j'ai recours à des coloristes. Je me souviens d'erreurs grossières que j'ai commises sur la couverture de Pilote. J'ai par exemple dessiné Blueberry sur un cheval vert. René Goscinny, qui était rédacteur en chef du journal, me l'a fait remarquer. Je ne voulais pas le refaire... Je me suis trompé ainsi à deux reprises. La Jument verte de Marcel Aymé avait dû m'influencer. Autrefois, je dessinais au crayon et au pinceau. Mais je n'ai plus la maîtrise du pinceau, maintenant, et je donne ce travail à un studio. Je dois établir un crayonné très précis pour que le coloriste ne cherche pas le trait.

Trouver le trait juste. C'est venu facilement, pour Astérix ?

C'est la seule fois où nous ne nous sommes pas compris, avec René. L'image classique du Gaulois, c'était le grand Celte blond et carré. J'ai d'abord dessiné ainsi. René m'a dit : "Non, ce n'est pas comme ça que je le vois. Je veux un antihéros, plu-tôt petit, pas forcément intelligent, mais débrouillard, champion du système D, à l'image du Français." Comme je suis têtu, j'ai rajouté à côté un personnage grand et fort qui n'était pas prévu au programme. Il n'apparaît pas beaucoup dans le premier album, Astérix le Gaulois (paru en 1961). Comme je ne sais pas quoi lui faire faire, il porte un menhir. René a eu l'occasion de l'utiliser...

Je n'oserais affirmer que vos héros sont gros, mais disons, un peu enveloppés, n'est-il pas ?

Obélix a pris du poids, et je l'ai un peu imité, moi aussi... Il me plaisait par sa rondeur. Il ne devait pas être un athlète. Dans les premiers albums, il était trop costaud comparé au personnage principal, et ça ne me convenait pas. Au fur et à mesure, il a perdu en épaules pour gagner en hanches et en derrière. Quant au gros pif, c'est maladif, chez moi. Le moelleux du nez... Les enfants ne s'y trompent pas. Quand ils vont au parc Astérix, le malheureux personnage d'Obélix, ce qu'il peut prendre comme gnons ! Un vrai punching-ball !

C'était rigolo d'inventer au côté de Goscinny ? Vous avez dessiné une planche sur laquelle on vous voit tous les deux à la terrasse d'un bistrot, très moroses. Vous cherchez une idée. Et soudain, c'est l'étincelle, vous vous renvoyez la balle en éclatant de rire et le serveur affolé appelle la police.

On n'a jamais été emmenés dans un car de police... Nous avons travaillé huit ans ensemble, René et moi, avant de créer Astérix. Nous étions dans notre petite société rue de la Bourse, là où est né le journal Pilote. Quand on cherchait une histoire ou un gag, on se parlait avec un dialogue bizarre car on entrait dans le jeu des personnages. Forcément on faisait : "Et paf, et tac, et là il en prend une, et crac !" Une fois, un gars de notre équipe nous rejoint et commence, en nous écoutant : " C'est comme ma petite fille, l'autre jour elle a..." René l'a coupé aussitôt : "Oh ! dis ! tu vois pas qu'on travaille !"

Mais pourquoi un Gaulois ?

Nous sortions d'une période difficile car nous devions créer des personnages à la demande des directeurs de journaux pour qui nous travaillions. Il fallait un archétype facilement identifiable par les enfants. On a fait des sous-Tintin pour gagner notre vie. Avec Pilote, le responsable nous donnait comme seule contrainte de tirer nos personnages de la culture française. Aujourd'hui, cela pourrait sembler xénophobe. Mais à l'époque, nous étions envahis par la BD américaine. Le paradoxe est que notre héros, créé pour des petits Français, a largement échappé aux frontières de la Gaule.

Quelle idée d'inventer tous ces noms à coucher dehors...

Goscinny adorait ça. Il avait de petits calepins que je garde précieusement, sur lesquels il notait les noms de personnages nouveaux pour ne pas les réutiliser. Je continue de les remplir. (Un silence.) J'ai peur de reprendre des noms, ou des gags, que je pourrais croire nouveaux mais qui ont trente ou quarante ans. Il faudrait que je relise mes albums... Goscinny voulait aussi trouver le nom le plus long, comme Soupalognon y Crouton. Il avait déjà inventé des noms à charnière dans les aventures d'Oumpah-Pah : "N'a-qu'une-dent-mais-elle-est-tombée-maintenant-n'en-a-plus". J'ai dû aussi prévoir deux bulles pour faire entrer le nom le plus long de la bande dessinée. (Ce nom, que Goscinny s'enorgueillissait de prononcer d'un trait, est : "Katzenblummerswishundwagenplaftembomm".)

Accepteriez-vous, pour les lecteurs du Monde, de livrer enfin la recette de la potion magique servie par le druide, Panoramix ?

Un druide, c'est Merlin l'Enchanteur. Il fallait faire en sorte que ce petit village gaulois puisse résister à l'envahisseur. Nous voulions prendre le contre-pied de l'histoire car nous sommes des rigolos. La potion magique a donné de la crédibilité au récit. Le lecteur attend cette scène. La difficulté, après 31 albums, c'est de concocter une cuisine nouvelle avec ces passages attendus.

Vous n'avez pas répondu à la question sur la potion magique.

Je peux vous dire qu'il y a du gui, et aussi du homard, mais seulement pour donner du goût. J'ajoute qu'il faut prévoir une goutte de pétrole. Peut-être des feuilles de thé depuis Astérix chez les Bretons. Malheureusement, je suis dans l'impossibilité de vous donner la recette complète.

Ordralphabétix est un poissonnier très snob. Vous avez une dent contre la corporation des poissonniers ?

Non, le mien vend un poisson très frais. Il m'est aussi arrivé de participer à des banquets avec des bardes bretons. Ils se sont mis à chanter en fin de repas. Personne ne les a empêchés. Et je répète que le poisson de Bretagne est très frais. Tout ça, c'est pour rire. Je dois aller à Rome, bientôt. Mes origines sont italiennes. Parfois, je suis un peu gêné, vu ce que mes Romains prennent sur la tronche. Parfois, les Romains d'aujourd'hui me disent que j'y vais un peu fort. Le producteur du film Opération Cléopâtrea eu du mal à convaincre le comédien Roberto Benigni de jouer le Romain Détritus. Il a hésité...

Les lecteurs du Monde ont pu découvrir en avant-première plusieurs planches de La Rentrée gauloise qui sort en librairie. A quand un nouvel épisode complet d'Astérix le Gaulois ?

Je vais me pencher très sérieusement sur la question. Il faudrait que je m'y mette. D'abord pour mon plaisir, et aussi pour continuer à faire vivre le personnage, qui a aussi besoin d'éclairages qui ne sont pas des événements cinématographiques. Je me suis refait la main avec plusieurs planches inédites de La Rentrée gauloise. Maintenant, je vais devoir me mettre devant ma page blanche. Et trouver une idée !

Propos recueillis par Eric Fottorino



Une rentrée gauloise inédite

"Je me suis refait la main", dit Albert Uderzo à propos du nouvel album La Rentrée gauloise, qui comprend, entre autres, 5 planches inédites qu'il a réalisées en 2003. Deux ans après l'immense succès commercial d' Astérix et Latraviata, le célèbre petit Gaulois se manifeste pour 56 pages d'un hors-série riche en surprises. D'abord, l'auteur offre à ses lecteurs le plaisir de revivre cet âge d'or où l'œuvre était fille de l'amitié : des histoires inédites en recueil, signées par le tandem Goscinny- Uderzo, comme avant. On y retrouve l'humour tantôt tendre et parfois féroce, jamais méchant, du premier, la maîtrise du trait - pour ne pas dire le trait de génie - du second. Les fidèles se souviennent que, sur la couverture d'Astérix et Cléopâtre (oh, ce nez...), pastichant une superproduction hollywoodienne, les auteurs avaient précisé en couverture : "14 litres d'encre de Chine, 30 pinceaux, 65 crayons à mine grasse, 1 crayon à mine dure, 27 gommes à effacer, 38 kilos de papier, 16 rubans de machine à écrire, 2 machines à écrire et 67 litres de bière ont été nécessaires pour sa réalisation". Pour cette "rentrée gauloise", Uderzo a établi un catalogue raisonné de toutes les planches d'Astérix qui n'étaient pas parues en album, réalisées dans les années 1960 et 1970.

Au total, 14 histoires courtes cosignées Uderzo et Goscinny, ainsi que 11 planches inédites en album, réalisées en 1969, 1986 et 1994, s'ajoutant aux 5 planches toutes nouvelles de la cuvée 2003. Chaque planche a bénéficié d'un nouvel encrage et d'une nouvelle colorisation, d'un crayonné original. On y rencontre le coq Chanteclérix et les parents d'Astérix, Astronomix et Praline. - E. F.

Astérix et la rentrée gauloise, Albert Uderzo et René Goscinny, éditions Albert-René, 56 p., 8,60 € .

• ARTICLES PARUS DANS L'EDITION DU 31.08.03

Droits de reproduction et de diffusion réservés © Le Monde 2003

sexta-feira, agosto 29, 2003

----------------------------------------------

LA FOTO MAS VISTA EN EL DIA DE HOY EN INTERNET.

MADONNA Y BRITNEY SPEERS EN LOS PREMIOS MTV...

---------------------------------------------

----------------------------------

The Washington Post

PERU PANEL DETAILS TOLL OF VIOLENT 2 DECADES

Over 69,000 Perished; Rebels, Military Blamed

By Scott Wilson
Washington Post Foreign Service
Friday, August 29, 2003

LIMA, Peru, Aug. 28 -- A civilian commission examining Peru's political violence has concluded that more than 69,000 Peruvians died or disappeared from 1980 to 2000, a period of barbarous civil war and authoritarian government that the investigators labeled "a time of national shame."

In a nine-volume document drawing on two years of testimony and investigation, Peru's Truth and Reconciliation Commission reported today that most of the killings of civilians were committed by the Shining Path, a radical Maoist insurgency that ravaged the countryside during the mid-1990s in its war against the Peruvian state.

But the report was equally critical of Peru's aloof political class and its armed services, attributing just under half the atrocities committed over that time to the security forces and renewing a bitter debate over who bears responsibility for the war. Three of every four victims of the violence during that period -- in massacres, kidnappings and assassinations -- were Peruvians whose native language was Quechua or another indigenous tongue.

Salomon Lerner, president of the 12-member commission, said Peru's security forces employed a "systematic or generalized practice of human rights violations" that could support charges of crimes against humanity.

"Today is Peru's moment to confront a time of national shame," Lerner told a hushed audience at the National Palace during a ceremony marking the report's official release. "This report exposes a double scandal -- the killings, disappearances and torture on a huge scale, and the indolence, ineptitude and indifference by those able to intervene in this human catastrophe and who did not."

The report is an attempt to reconcile Peruvians with their brutal past by offering an official acknowledgment of what transpired and why. The commission was created in June 2001, seven months after President Alberto Fujimori's flight into exile ahead of corruption and murder charges stemming from his alleged connection to anti-guerrilla death squads.

Like similar panels in El Salvador, Guatemala and South Africa, Peru's truth commission was created after a period of intense internal conflict to help unite a country traditionally divided along racial and economic lines. But in assessing blame for the most horrific chapter in Peru's recent history, the findings have stirred up political passions at a fragile moment for President Alejandro Toledo, whose popularity since his 2001 election has fallen to the lowest level of any Latin America president.

In the weeks preceding the report's release, political allies of Fujimori and Alan Garcia, two of the three presidents whose terms fall under the investigation, have accused the commission of attempting to recast the war in terms favorable to the Shining Path and the Tupac Amaru Revolutionary Movement, a smaller Marxist insurgency held responsible for 1.5 percent of the civilian deaths. Defenders of the Peruvian military have also criticized the commission, fearing that the detailed report will set the stage for criminal trials.

Peru's leading human rights groups, as well as the thousands of victims' families, want the report to serve as the foundation for broader prosecutions of military officials implicated in massacres, disappearances and other crimes detailed in its pages. Lerner called today for the "criminal justice system [to] act immediately without vengeance, but at the same time with energy and without vacillation."

Almost all of the Shining Path's leaders are either dead or serving prison sentences, including its founder, Abimael Guzman. The former college professor from the southern city of Arequipa, who called on his followers to kill 10 percent of the population to make way for a new political system, was captured in 1992.

But the Shining Path is showing tentative signs of rising again, mostly in the coca-producing regions of Peru's eastern jungles. Hundreds of jailed members are scheduled for new trials in the coming months, following a high court decision that their convictions in military tribunals were unconstitutional. The report concludes that the Shining Path was responsible for 54 percent of the civilian deaths.

The defeat of the Shining Path "was a great victory for the armed forces -- with excesses, no doubt," said Jose Barba, a conservative congressman who has sharply criticized the truth commission. "But I don't know of such a thing as a clean war. This report is vengeance, vengeance by the Shining Path. And it is going to divide Peruvian society totally and absolutely."

The commission's findings show Peru's political violence to be far broader and more intense than earlier believed, even by human rights experts who have been trying for decades to track the number of victims. Until now, the number of Peruvians who died or disappeared during the war and its aftermath was thought to be about 30,000. The commission, which comprises human rights activists, academics and other prominent Peruvians, confirmed 24,000 deaths through witnesses and used statistical projections to arrive at the final toll.

The report draws on testimony from about 17,000 people, collected in emotional public hearings and private interviews over the past two years. Guzman participated in more than a dozen interviews with commission members. The project, which began under the interim presidency of Valentin Paniagua, who served between Fujimori's flight to Japan and Toledo's inauguration, cost an estimated $13 million.

During the years immediately following the Shining Path's declaration of war in 1980, the political violence remained concentrated in Peru's central highlands before spreading across the country and into the cities.

Of the estimated 69,280 victims, 85 percent came from six poor political divisions known as departments that ranged from Apurimac in the south to San Martin in the north. But the most severely affected was Ayacucho, southeast of Lima, home to more than 40 percent of those who died or disappeared.

The violence ebbed and flowed over the 20-year period studied by the commission. The report shows that 1984 was the single bloodiest year of the war. The upsurge followed the government's October 1981 emergency decree in Ayacucho, which placed the region in the effective control of army Gen. Clemente Noel. An estimated 4,500 people died or disappeared that year as Shining Path massacres mounted in the central highlands and the government used increasingly brutal methods against the insurgency.

The report also shows a sharp decline in deaths after 1992, the year Fujimori dissolved the Peruvian parliament and instituted a form of martial law. But human rights officials here say the numbers are misleading because Fujimori and his domestic intelligence adviser, Vladimiro Montesinos, began employing such techniques as mass arrests and trials by hooded anti-terrorism tribunals that have since been ruled illegal.

The report, which will be presented in Ayacucho on Friday by the truth commission during a special ceremony in memory of the victims, has shown few signs of healing the country. Toledo, who has never been popular with the Peruvian military, now faces the politically delicate task of weighing the growing public cries for justice against allowing the report to stand as the final word on the war.

In accepting the report today, Toledo said justice and reparations for the victims were "a state imperative," but also offered a general statement of support for the armed forces.

"It is indispensable that we look into the mirror of the past," Toledo said. "We can't open the doors to the future without looking first at the past."

Coming so soon after the end of the strife, the report poses a threat to a number of Peru's leading politicians and military officials who are still central figures in the national arena, including Fujimori and Garcia. Fujimori has suggested he might return to Peru and run for president, despite facing murder charges stemming from his alleged connection to squads that carried out two massacres in Lima early in his tenure. Garcia already has said he will seek another presidential term.

During an evening rally in support of the truth commission outside the Palace of Justice here this week, Teodora Cardenas, 26, held a small sign aloft bearing the word "Reparations." In 1990, her brother Federico, then 26, was taken away by a military-trained peasant militia in her village of Satipo in the Junin department, allegedly for belonging to the Shining Path. She never saw him again.

"We don't know where he was buried," Cardenas said. "We demand justice for his death, and the return of his body."

But just a few feet away, Rolando Pimental, who had two uncles murdered by the Shining Path in the Apurimac department, was unable to forgive. One uncle, a mayor, was stoned to death in front of his family. The other, an agricultural engineer, was taken away, never to be seen again.

"We always knew the truth. Do they think I am blind, that I am stupid?" said Pimental, 33, an engineer for a cell phone company. "This commission never wanted to hear from us, and now the terrorists want to return. Is it possible to reconcile with killers?"

© 2003 The Washington Post Company

-------------------------------------------

ANALYSE

Une armée américaine au four et au moulin

LE MONDE | 29.08.03 | 13h03

Contrairement à sa doctrine qui organisait jusqu'à présent les forces américaines dans la perspective d'un déploiement sur deux théâtres et demi d'opérations simultanées (un qualifié de majeur et les autres de moindre intensité), le Pentagone reconnaît aujourd'hui qu'il a du mal à être au four et au moulin. Certes, il l'admet du bout des lèvres. Mais le débat qui monte aux Etats-Unis, suite aux attentats en Irak et aux embuscades en Afghanistan, sur les capacités militaires du pays en est l'illustration.

Quelque 370 000 soldats de l'armée de terre - sur un effectif total de 1,4 million dans l'ensemble des forces américaines - sont répartis dans une centaine de pays, à des titres divers et selon des modalités très variées. Parmi eux, 134 000 en Irak, 62 000 en Europe pour le compte de l'OTAN, 40 000 au Japon et 10 000 en Afghanistan constituent le gros de la troupe hors du sol américain, sans compter les GI dans les Balkans, la corne de l'Afrique et jusqu'au Sinaï.

OMNIPRÉSENTE SUR LA PLANÈTE

Signe des temps : il faut revenir à la guerre du Vietnam, il y a une trentaine d'années, pour retrouver une situation où les soldats américains arrivent à servir plus d'une année d'affilée hors de leur pays sans l'espoir d'une rotation qui les ferait renouer avec leurs familles.

Après la première guerre du Golfe, l'armée de terre américaine, qui supporte l'essentiel des engagements internationaux de Washington, avait dû réduire son format. De 750 000 hommes, elle était passée à 550 000, et elle est aujourd'hui tombée à 491 000 personnels d'active. Pourtant, avec des effectifs moindres, le soleil ne se couche jamais sur une armée américaine omniprésente sur la planète.

Le résultat est que cette armée de terre, pour tenir ses positions à l'extérieur avec 370 000 hommes et femmes, a été contrainte, cette année, de convoquer 136 000 membres de la réserve et de la garde nationale. C'est sans précédent.

Rapporté par le sénateur (républicain du Texas) Kay Bailey Hutchinson, président de la commission sénatoriale des crédits militaires, un fait en dit long : au Kosovo, en Bosnie et au Sinaï, des unités de la Garde nationale relèveront les forces régulières américaines à l'issue de leurs six mois de présence.

A propos de l'Irak, le général Peter Schoomaker, qui vient de prendre ses fonctions de chef d'état-major de l'armée de terre, n'est pas loin de penser comme son prédécesseur, le général Eric Shinseki, évincé pour incompatibilité d'humeur avec le "patron" du Pentagone, Donald Rumsfeld.

"Intuitivement", a confié le général Schoomaker, il aurait tendance à considérer qu'il faudrait déployer plus de monde pour tenir le pays. A quoi M. Rumsfeld rétorque qu'on ne peut pas réorganiser des forces à partir d'intuitions. Le secrétaire à la défense concède qu'il faudrait attribuer davantage de tâches administratives à des civils, pour redonner des missions opérationnelles aux militaires, et qu'il conviendrait de réexaminer la mobilisation de réservistes sélectionnés, à l'occasion de contrats temporaires ou partiels, quitte à ce qu'ils se fâchent avec leurs proches ou avec leurs employeurs.

Aujourd'hui, M. Rumsfeld s'en remet à une option qui consiste à solliciter le renfort d'autres pays.

En témoigne le rôle reconnu, début septembre, à la Pologne : prendre la responsabilité de la sécurité d'une zone en Irak - sous la tutelle du haut commandement américain - à la tête d'un corps de 9 200 hommes. La Pologne y engagera 2 300 soldats, à côté de détachements fournis par les armées de treize autres nations d'Europe et d'Amérique latine. L'expérience mérite d'être observée de près. Comment, en effet, éviter que l'autorité opérationnelle des Etats-Unis ne fonde ou se dilue dans ce qui ressemblera à la tour de Babel.

Quatre mois après la fin déclarée de la guerre contre Saddam Hussein, les Américains ont, à ce jour, perdu autant d'hommes dans des embuscades ou des attentats que pendant les trois semaines de conflit. M. Rumsfeld est donc aussi confronté à des considérations tactiques, voire à une réflexion d'ordre qualitatif sur la nature même de son dispositif militaire.

A la différence, par exemple, du Royaume-Uni, dont l'armée de terre a accumulé des années d'expérience en Irlande du Nord, ou de l'Espagne, qui rejoint la division polonaise avec 10 % de Guardia civile sur les 1 300 hommes de son contingent, Washington manque de ces unités de maintien de l'ordre et de police militaire qui peuvent faire la différence sur place.

DISSIDENCE MAL IDENTIFIÉE

Les sociologues de la chose militaire outre-Atlantique les appellent une "constabulary force". Autrement dit, des gendarmeries à l'européenne dont le savoir-faire militaire, la tradition séculaire, le sens du renseignement, la pratique du contact avec la population et la formation juridique les prédisposent plus que d'autres corps au contrôle de la sécurité publique.

L'après-guerre en Irak ou en Afghanistan, avec le défi du terrorisme aveugle, et l'œuvre de reconstruction, avec le risque d'attentisme d'une population travaillée de l'intérieur par une dissidence mal identifiée, ne conviennent pas à des parachutistes ou à des marines mieux préparés à faire ce qu'ils ont réussi à Bagdad : la conquête éclair d'un territoire hostile, face à une armée régulière qui, même si elle a déserté le champ de bataille, a tendance à respecter certaines règles du jeu.

En quelque sorte, les Américains font l'apprentissage du fait qu'un soldat est entraîné à prendre l'initiative d'ouvrir le feu quand et où son homologue d'une constabulary force est instruit dans l'art, difficile et périlleux, de ne tirer qu'une fois sa vie menacée directement et en cas de légitime défense.

D'un côté, l'hyperréaction qui peut s'expliquer par l'environnement chaotique de la guerre. De l'autre, une vigilance de chaque instant, face à un ennemi insaisissable, et l'usage maîtrisé de l'arme en des circonstances extrêmes.

Jacques Isnard

(c) LE MONDE DU 30.08.03

---------------------------------------

Recordatorio…

Hace 18 días que la hija de Fidel Castro, Alina Fernández dijo en San Salvador que El Fifo se acababa en dos semanas. Seguiremos contando…

---------------------------------------------------------

Esto es una versión muy interesante de lo que está pasando en Irak, publicado en una revista con la cuál ni siempre estoy de acuerdo. El articulo es un poco largo, pero el fin de semana que se nos avecina, también.

The Nation - [from the September 15, 2003 issue]

IGNITED IRAQ

by Peter Davis
BAGDAD

During his final year and a half as lord of misrule, Saddam Hussein liked to joke that Iraqis should win the contract to rebuild the World Trade Center since they had so much experience at reconstruction after the Gulf War of 1991. As events unfolded, something like the opposite happened. The military-industrial complex that recently destroyed so much of Iraq will now be hired to repair the damage. Few Iraqis this summer believe that the postwar contractual arrangements are a coincidence. "You encouraged the looting and burning after you got finished bombing," a maintenance worker at the Baghdad Polytechnic Institute told me, "so you could get paid for putting it all back up again."

When the war began in March I was in Hanoi, where the US Embassy helpfully sent a fax to "American citizens in Vietnam" warning of the danger posed by "armed conflict with Iraq." "Remain vigilantly aware of surroundings, avoid crowds and demonstrations, keep a low profile.... This Public Announcement is being updated to alert Americans to an increased potential for anti-American violence," and on and on. Since Vietnam is neither a Muslim country nor one where threats against Americans have occurred--it is only a country we invaded a few wars ago--the conclusion was inescapable that the government knew how widely unpopular its action would be. Intellectual isolationism had led to global unilateralism, with the British as the tail of the kite. September 11 had both scared and emboldened us into the second of our new blitzing wars.

Dry, blazing, ignited Iraq is a country whose capital does not loom over its landscape but instead shimmers up out of the desert as though it may or may not eventually materialize. As soon as I arrived in the second week of July it was apparent the country's needs are so simple as to be alliterative: security, services and structure are the mantra, the liberté-égalité-fraternité of this proposed revolution from despotism to something resembling a representative distribution of power. There was still only sporadic electricity, the water was polluted and Baghdad was considered so dangerous Americans were warned not to go out at night and never to go anywhere without a driver and translator. "This is a rule," an American said to me the day I arrived. "Don't break it."

Yet there was something else, even more obvious than danger though easily overlooked in the rush to keep up with unfolding crises, that quickly became clear. Between most Americans and most Iraqis is a gulf more unbridgeable than the nearby Persian Gulf itself, both in terms of worldview and self-recognition. Like Americans, Iraqis have all kinds of opinions, but almost all of our new subject citizens have such utterly different concepts from ours of words like "freedom," "liberation" or even "country" and "national identity" that to speak of these where they are concerned is to court major misunderstanding before we have even begun. "Democracy," of course, has been pounded out of shape on the postwar anvil.

The best time of day in Iraq is between 5:30 and 7:30 in the morning, when everything is still in shade or shadow yet there is enough light for observation. Tradespeople are coming to work and merchants are filling the souks, offering a range of goods from air-conditioners to shoelaces to newly available magazines to fresh lamb. You could almost be anywhere east of Greece, and if you looked only at the market stalls and not at the scarred, charred and blasted buildings above, you would not know at such a time that although its army and government did not so much lose as melt away, this is now a conquered country. The worst time of day is late afternoon, when you expect the onset of coolness, relief from the inferno of noon, yet it is still so hot you could bake bread in your car, and no one is moving who doesn't have to. Again, if you kept your eyes on the somnolent bazaars and the vendors who are now bestirring themselves only to ward off flies, you could easily forget you are in a territory occupied by a foreign force whose nationality you share and whose presence is the occasion for both earnest gratitude and violent resistance. The Bradleys rolling down the littered streets tell you where you are.

Know your colony. With a population of 26 million, Iraq possesses the approximate area of California and at least as many citizens who consider themselves candidates for leadership as are running to become that state's governor. Culturally, the land between the Tigris and Euphrates rivers was thriving 4,000 years before Christ. Take numbers, for example. In A History of Mathematics by Carl B. Boyer, the author finds "a high order of civilization" with "progressive mathematical achievements" that include a Mesopotamian numerical base of 60 rather than the more common 10, a system that "has enjoyed a remarkably long life, for remnants survive even to this day in units of time and angle measure." Examples of their mathematical facility abound: "The fundamental arithmetic operations were handled by the Babylonians in a manner not unlike that which would be employed today.... One finds among the Old Babylonian tablets some table texts containing successive powers of a given number, analogous to our modern tables of logarithms.... The solution of a three-term quadratic equation seems to have exceeded by far the algebraic capabilities of the Egyptians."

All right then, politics. This is where we run into some problems. Hammurabi brought forth a system of laws admirable for its day, which was 1,750 BCE, but its commonly remembered feature was the vengeance code of an eye for an eye. Nebuchadnezzar defeated the Egyptians while extending his territory in the sixth century BCE, and his Babylonian magnificence was supported by slaves. Saladin, a Kurd to whom Saddam Hussein has likened himself, successfully beat back the twelfth-century Crusade, captured Jerusalem and built himself an empire extending from what is now Egypt to Syria to Yemen. It didn't last.

In recent centuries Iraq has seen itself traded from the Ottoman Empire to the British Empire in a deal that led to an ocean of oil for the West. With boundaries settled by a League of Nations mandate in 1920, Iraq gained its independence from Britain in 1932 and was ruled by kings until the monarchy was overthrown in 1958, which happens to be the only time I was in the Middle East until this past July, a detail whose usefulness I'll try to make clear presently. There followed a series of brutal coups until the Baath Party emerged, leading in due time to Saddam Hussein's ascendancy in 1979. Moreso than his predecessors, Saddam maintained himself through what has been described as the exemplary use of violence. According to the historian Charles Tripp, Saddam "reinforced certain tendencies in the history of Iraq, building up a powerful apparatus that brooks no opposition and provides scarcely any space for political activity other than on terms set by him." Just before I left for Iraq, the UN's chief weapons inspector, Hans Blix, explained Saddam's weakness to me: "He saw himself as the emperor of Mesopotamia, but unlike the Roman emperors who always kept one slave nearby to whisper to them that they were mortal, Saddam forgot to have that particular slave." Charles Tripp concludes that once Saddam is run off into history, "the contest for control of the narrative of the Iraqi state will continue, but in these circumstances there is a strong possibility that existing privileges will be entrenched and Iraqis will have good reason to fear subjection once more."

"Of course, Saddam Hussein's men tortured and imprisoned indiscriminately, that is true," said Memdi Salih, a former journalist who was my first interpreter in Baghdad. But there was a hesitancy in his tone, as well as in his use of the word "men" instead of personalizing the acts to Saddam himself as Saddam's more fervent enemies do, that pointed to Salih's own complex history. Many of the educated elite in Baghdad are tainted, if one is looking for purity, by some association with Baathists. Salih himself, a furrow-browed, thoughtful man, was in the party because, he said, "You had to be to do anything at all. We were all Baath Party members." This has rendered him unemployable by the returned exiles who Americans have put in charge of certain fields. "The new communications czar won't let any of us be hired," Salih said, "because he lived abroad and hires only exiles, who aren't really welcome by most of the public."

Salih's anger at the United States is only a membrane from the surface. He expresses it by criticizing American-appointed Iraqis, such as those members of the governing council who either lived abroad or have no following, or both. He remains even more critical of the former regime, making a transitive verb of "vanish"--"Saddam's men vanished people for no reason at all." Then he returns to his earlier hesitancy. "The Baathist crimes are statistically exaggerated. It was possible to live in Iraq decently and comfortably under Saddam if you weren't actively opposing the regime." He said he had been patient with the US-British coalition, but so far he had seen very little progress. "Right now we need someone to issue orders, pay salaries, make communications work which are so very backward, educate people to the new tasks," he said, possibly with a shade of nostalgia for the days of firm leadership. "Maybe the coalition has made a step forward with the governing council, but I'm not too hopeful."

You can find support in these postwar, pre-peace days for any prix fixe opinion in Iraq. The coalition is in trouble. Easy. The occupation is popular. Also easy. Americans should stay/go/print new money. All well represented. The occupation is increasingly unpopular. Slam-dunk. You may have to wear thicker blinders to draw the conclusion that everything is rolling along smoothly after a predictably rocky start, but you can find that if you're determined to. I was looking for something beyond opinion, something including feelings and beliefs that would point to the American footprint and the Iraqi response. As we drove into a neighborhood that has seen vociferous arguments between pro- and anti-American factions, Salih and I noticed a placard in English. Leave Us, someone had painted in red; someone else had come along and crossed it out in a splash of blue. Your guess is as good...

Sahih's own mixed opinions found another outlet; he was fond of taking reporters to the Abu Hanifa Mosque, an important shrine dedicated to one of the principal saints of Islam. It had been a center of support for the Baath Party and in fact was the last place Saddam Hussein appeared in public. I visited a number of mosques in Iraq; they are social as well as religious gathering places, especially for men, and students even come to them to study for exams. My wife, Alicia Anstead, writing for the Bangor Daily News in Maine, accompanied me to this mosque, which required some preparation. Salih took her to a clothing store and had her buy a long black dress; given that the thermometer that morning was 122 degrees Fahrenheit and rising, this amounted to a gender fine, but Alicia was willing to pay it. She also had to put on socks under her sandals and of course a hijab, or headscarf, that hooded her thoroughly.

In the cavernous hall that surrounds the mosque's sanctuary were the intricate designs of a faith that does not permit representations of the deity or of saints. On the columns, walls and ceilings every variation was present that I could imagine a line becoming--circles, squares, rhomboids, lines soaring, dipping, lines playing games with other lines, swirling, pointing, angling, sharp, soft, eight-pointed stars, winged lines, more shapes than I've ever seen. Lines and curves were raised to a level beyond mere art forms to unassailable facts of the universe. Carpets and prayer rugs were spread over the floors, their own designs of such a celestial nature that people I know would happily convert and pray the requisite five times a day to get these coverings into their living rooms.

I was permitted into the sanctuary while Alicia remained outside. This was similar to the hall but even more elaborately decorated with stars and geometric shapes on its columns and walls and in its vaulted arches and curved ceilings. The tomb of Abu Hanifa is the sanctuary's sacred altar.

In the hall before the service we were surrounded by boys and young men, who were curious and friendly. We asked them how they felt about Americans. They all spoke at the same time, but one voice, belonging to a student training to become an imam, was most authoritative. "We like you if you come as visitors and go back home," he said as Salih translated and smiled approvingly, "but we don't want you to stay as soldiers and run the country. Be our friends, not our occupiers." The young men parted to form a path as a courtly gentleman came up to us and, in impeccable English, introduced himself as the former minister of industry, retired since 1989. What did he think of the current situation? "Ah," he said, "ask the young lads here, we'll all give you the same answer." Salih nodded his own agreement as the former minister turned and passed into the sanctuary.

When he had completed his prayer service, the imam of Abu Hanifa, Sheik Mouyad Al-Adhami, sat with us on one of the prayer rugs. He is a vigorous, rocklike man in his early 40s, from a line of imams in a 600-year-old family that measures its descent from Mohammed himself. He had been more or less exiled from this mosque until the overthrow of Saddam Hussein, after which the former imam disappeared and Sheik Al-Adhami returned. I asked if Saddam had worshiped here regularly, and he said, "Saddam Hussein is the devil, and devils cannot worship." The imam has not seen one of his brothers for twenty-three years. "They made it a crime if your relative flees from Iraq," he said, "and my brother went to live in England. I was arrested and beaten, and after they let me go I remained under surveillance."

We asked the imam what he tells his congregation now. "I am trying to find a way to help them recover from psychological wounds brought on by the American war," he said. "There are other ways to change even this bloody regime, not through war. I have told high-ranking American officers we need security and settled conditions. The people need jobs. They feel the Americans are not serious and don't work for their betterment. The officers promise to do something, but we have seen nothing." As for the newly appointed governing council, the imam was skeptical. He did not feel it was truly representative of Iraqis. This seemed to be the moment to ask Sheik Al-Adhami, who is considered a moderate, whether politics and faith each have distinct places in the life of Iraqis. "Islam is not confined to the mosque," he said, "but is linked to economics, politics, every field of life. I tell my people, 'Do not store Islam in the mosque.' Some of those on the governing council want a separation of mosque and state. This is wrong and unacceptable. Iraqis do not want a secular regime. We will be questioned one day by God about all these matters of religion and politics. In Islam there is no right to separate policy from faith."

That seemed to invite no further clarification, so I asked what kind of government he would like to see. "We do not accept any dictatorship," he said, "any unjust group of men who want to impose principles on us or to limit our freedom. But there is a big difference between the Islamic idea of democracy and Western democracy. An election based on money and propaganda is wrong. We believe in controlled freedom, and freedom in the Western world is not controlled. The looting and burning that occurred here were accidents that happened because of unjust treatment and a lack of control. This is not the normal way of the Iraqi people. In Western society, crime is normal. Here it is an accident."

Are Islam and Western society destined, then, to be enemies? "The Almighty creates different societies in order to maintain life," said Sheik Al-Adhami, "and in the Koran all people are created as male and female. He who is good is closest to Allah. If the societies have bad will and are run by sick souls, they will clash with each other. If they have good will, they won't clash. It's simple."

This was surely a holy man of good will himself. But it was hard not to worry about power residing in true believers. Before leaving for Iraq I had gone to Washington, where I was briefed by a number of officials, including one at the State Department and one at a Defense Department think tank. To a man and woman, they all shook their heads at what one of them called our highly ideologized policies. We have our own true believers, and they currently have more power than ever before. If true believers come to power in Iraq, our two societies will have even less in common. Alicia and I decided to pursue the imam's social policies.

We asked Sheik Al-Adhami if a woman can be equal to a man in Islam. "Women in Islam are highly admired, autonomous, and a husband cannot interfere in his wife's property but must spend whatever he can on her to benefit her and satisfy her needs. She can become a doctor, an engineer, a teacher, whatever she wishes." This was protective, of course, but it did not add up to equality. The imam turned to Alicia, and though he didn't address her he seemed to be appraising her. Then he looked back at me and asked me how I like having Alicia all covered up. Before I could say, How do I know, she's barely visible, the imam answered his own question. "You like her better," he instructed. "You appreciate her more covered in this manner. This is how she should always be." I looked over at Alicia, wrapped and hooded, but for all I could tell she might have been Trent Lott and I wouldn't have known the difference.

Alicia asked why a woman has to be so completely covered. "To be covered gives a sign to all men," the imam said, "that they must be kind to women. There is no right for any man to enjoy a woman except only her husband. Women shouldn't be treated like animals and go around without cover." We let it go. It did appear, however, that the imam feels that men are so out of control they immediately turn predator if they see as much as an ankle of the opposite sex.

It was time to go, and I asked the imam if he had ever traveled abroad. "No, never," he said. Then he shook his head at himself, smiled, and added, "Well, yes, I went once to Syria, on my honey-moon." He smiled again. I said we were on our own honeymoon now in Baghdad. He raised his brows and looked from one of us to the other with a question mark. Really? Yes, just married. With a satisfied smile he congratulated us, and then he said, "You deserve each other." While we were left wondering how to take that, he chanted a verse from the Koran about Muslims doing no harm to non-Muslims. Then he looked up at us and said, "We will all meet in Paradise, all of us of different faiths." Not too soon, I hope.

American soldiers in Iraq are as differentiated as Iraqis. They believe firmly in their mission of pacifying an enemy people and bringing democracy to them, or they think they're wasting their time as peacekeepers, or they hate it and want to go home, or they grit their teeth and follow orders. Morale is mixed; some soldiers I met feel they were misled and have to stay in Iraq much longer than they were originally told, but others maintain a steely resolve to see the job through, whatever the job turns out to be.

Sweltering as they protected a US compound in Baghdad, two GIs from Florida said they came to Iraq as part of a QRF--quick reaction force--whose wartime job was to rescue downed pilots. What they do now is stand guard, day after day, wearing heavy flak jackets and helmets. Each is Latino and in the National Guard, one originally from Puerto Rico, the other from Mexico. Both are fathers. The Mexican is training to become a policeman, and the Puerto Rican drives a bus at Disney World. "The duty here is OK," the policeman said. "We've done what we came to do, took over the country. Mission-wise, we're done." Three men from their unit of 130 had recently been killed, and they were still thinking about that. "Ambushes, man," the bus driver said. "This country is not under control, and it never will be under control." His buddy took a swig of bottled water. "I guess I'm glad we came and did what we did," he said, "but a lot of the Iraqis, now, they have a big problem with us staying here because they want to take over their own country. Us staying here doesn't give them a chance to start anything, run anything on their own." I wondered if their not being Anglos possibly contributed to their understanding of how an occupied people feels, but other GIs were equally wary of being part of an occupation force.

Romeo and Juliet, almost. Dating between soldiers and the local population is forbidden not only for security reasons but because it is offensive to Muslims. When it happens it is furtive. A young Muslim woman--not Iraqi but a Lebanese import--who works for the US government in Baghdad was flat on her back on a couch, drying her eyes, the first time I met her. Her name is Randa and she told of her relationship with a GI named Jeff. Jeff's ambition to become a lawyer was diverted when he enlisted patriotically after 9/11. Stationed in Iraq, he met Randa. "We really bonded," Randa said. "We both loved debating, and we'd debate anything from a favorite ice cream flavor to the Israeli-Palestinian conflict. Jeff was an only child, and Jewish, and he said, 'Gee, Randa, you're the first Muslim I ever met in my whole life.' We kept exchanging books and magazines. I gave him a book on Islamic fundamentalism and told him to get up to chapter six by the next time I saw him, and he did it, so then we debated some more."

Randa and Jeff couldn't see each other often, but they e-mailed constantly, then met when they could after her office hours were over and he finished duty at Baghdad University. Randa said Jeff was so full of charisma, charm and intelligence that she was sure he'd become President of the United States. Jeff was shy, which increased his attractiveness to Randa. After two months they were very close. "We were both 23, and I really liked hanging out with him," Randa said. Then it ended. "It's so hot here, you know," Randa said, "and one day Jeff went into the cafeteria at Baghdad University for some ice cream. He came out and while he was walking down the steps of the building someone just came right up to him and shot him dead. As quick as that. I guess you could say I'm in mourning now." The next time I saw her Randa was busy again, plunging back into her work, which involves interviewing Iraqis, especially but not exclusively women, who have been mistreated. Recently she sent an e-mail. She still thinks about Jeff, still is certain he'd have become President. Her job continues, she finds it rewarding to help people, and she likes her colleagues. "I'm doing much better," Randa wrote, "taking it one day at a time."

How about the arts? A theater director came to see me several times. Rasim Mansour, a long-faced man with a severe yet quizzical expression, manages to look like both James Joyce and Samuel Beckett. He seemed to want nothing more than a conversation, and he was fresh from a postwar triumph, his presentation of Desire Under the Elms, which he said was a smash hit in Baghdad and had just closed. Beneath his black-framed round glasses, his eyes flashed as he explained that O'Neill's play is close to Iraq's situation now because a cruel father--i.e., Saddam Hussein--had doomed his entire family--in this case his country--to tragedy. He also admired Arthur Miller, who he felt had joined Eugene O'Neill in communicating American civilization to the world.

Rasim, now 32, made his start in the theater by playing Macbeth, for which he was praised so much he began to receive grants and commissions to direct plays. Chain-smoking very long cigarettes, Rasim said his Macbeth, even though it deals with a usurping king, slipped by Saddam Husein's censors, but many other plays, such as Caligula and Richard III, did not. "Our second most important export, right after oil," Rasim said, "became our artists and intellectuals. I wouldn't leave because I felt my country needed me to stay here, and good or bad I love it." The censorship is gone now, he said, but half the theaters in Baghdad are destroyed while the other half are used by Americans for storage. The O'Neill play had been presented in a borrowed auditorium. "An American captain told me, 'Kiss my ass,' when I asked if we could have a theater. I'm glad Americans got rid of Saddam, but conquering us was not a good idea. Americans have harmed this country, and traces of the occupation will remain a long time. You never thought how to save Iraq, only how to conquer it in order to terrorize and warn the entire world. I can't believe that four months after they won the war they have still not restored basic services like electricity and water. So who's worse, Saddam or the Americans? I'm a great fan of George W. Bush as an actor and I hope he'll be performing in a theater one day very soon."

At the Polytechnic Institute in Baghdad, I felt I was on a campus that had substituted rage for electricity as its power source. By now my translator and guide was Sa'ad Al-Izzi, a tall, stout man of 29, though he seemed older due to his having had to mature quickly at the age of 10 in order to take care of his mother and sister after his father died of diabetes. Izzi, an English major himself, was appalled at the condition of the institute, which he had not visited since the war began. The custodian of buildings and grounds, who lives in a house just inside the college gates, displayed a broken tooth he said he'd received while defending the institute against a gang of looters that included Kuwaitis, Syrians and Palestinians. He brought out his 4-year-old daughter and 8-year-old son; the daughter had shrapnel in one of her eyes, the son had shrapnel in his head, both from wild firing, the custodian said, by US troops. The soldiers, he said, fired a few times into the grounds of the institute but otherwise simply watched from their tanks across the street while the college was looted and burned. Becoming angrier as he spoke, the custodian said Americans had refused him the money to pay for an operation to restore his daughter's eyesight.

A professor of computer science told Izzi the vandals had burned every book in the library, which he said had been the largest scientific collection in the Middle East. The gutted and hollowed library is now being used as a cafeteria because the cafeteria itself was burned to the ground. Two women professors--of geography and mechanical engineering--very politely said they hoped Americans would stay until there is a secure and stable government. An older student, who said he is in his 30s, agreed with the women professors and said most Iraqis want Americans to stay for now.

Anger resurfaced when we went inside the former library, where the students were eating lunch. Izzi and I were surrounded by students who pushed toward us with complaints. Civil servants haven't been paid; some of their professors have been months without salary; how dare Paul Bremer, the American administrator, not come to see us; we don't want the Baathists back but right now nothing's working; if Bremer won't listen to us he's the second Saddam; I demand to see Bremer, this is my right; Bremer is the new thief of Baghdad; since Americans have the most power and money in the world, they can at least buy us some books. Bringing up the rear, two women students were more soft-spoken but determined to be heard. "It's so unsafe for a woman or a girl to go about now," said one. "Before, we couldn't talk freely but we could walk," said the other, "and now we can talk freely but we can't walk."

By the time Izzi and I were back outside, a crowd of students were shouting at us. "Americans are here for oil, nothing else!" "The oil ministry is secure for the Americans, fuck the rest of the country!" "I hate Americans because they're free and I'm not!" "My friend brought his pregnant wife to the hospital, but before they got there they were stopped at an American checkpoint where the soldiers shot him. Who will be the father of his baby?" "Basra is secure under the British, why not Baghdad under the Americans?" "Bush is a liar!" "He promises and does nothing!" "Go tell the American people what happens here so they can hate Bush the way we hate Bush and we hate Saddam!"

I was beginning to think about Randa's friend Jeff who was shot on the other campus. Izzi himself looked concerned, and though he is a rapid translator he couldn't keep up with the epithets and oaths being thrown at us. "Can't you stupid Americans understand what you've done here!" a student yelled, and we left quickly.

"That's the thing," Izzi told me as we drove off. "You don't know when you're in danger and when you're safe." This had also been true for Izzi himself under Saddam Hussein, when one of his jobs had been to translate movies for Saddam and his son Uday. Saddam's favorite movie was Braveheart, and he claimed that if he had an enemy like the Mel Gibson character he would never kill that man but would keep him around for his valor. Uday's own favorite film was Gladiator. The brutal prince loved to see arms and legs and heads go flying, and essentially used the movie as an instructional video for his assassins and torturers. When one movie Izzi translated had a ten-second audio dropout, Uday sent his men to the film office where Izzi worked; Izzi's boss said the translator was out, which wasn't true, and took the beating himself on behalf of Izzi. What worried Izzi now, in addition to the safety of journalists he translated for, was that armed insurgents were beginning to pick off Iraqis just for working with Americans.

One evening, when our confinement in the hotel was beginning to seem as unnecessary as it was claustrophobic, Alicia and I asked Izzi and our driver, a former Iraqi Air Force jet pilot named Abu Mustafa, to drop us at an Internet cafe. We told them to go on home, and we'd take a taxi after we used the Internet. Abu Mustafa, whose antennae were particularly sensitive, said he didn't think it was a wonderful idea. Izzi thought it would be all right, as there were a lot of cabs going up and down the wide street we were on in what he said was a relatively placid neighborhood.

The proprietor of the Internet cafe was the sort of man who runs the candy store in one of those movies they release around Halloween; you don't know if he wants to help you or turn you over to Stephen King. We were unable to send or receive messages on his computers, and we left quickly while it was not yet fully dark. The street was reassuringly busy; Baghdad at night is both lively and deadly. Getting a taxi was easy, although the taxi itself had a desperately sick engine. The driver spoke a little English and said he knew where our hotel was. He didn't, and he had a swimming eyeball. As his taxi lurched forward around an altogether unfamiliar neighborhood, taking turns we knew were wrong, the cabbie asked if we were Europeans. No, Alicia said. Canadians, I said. We were getting nervous but we couldn't clutch one another's hands because we'd been told it was unacceptable for men and women to touch in public. The driver, groping around for our hotel on streets we didn't recognize, asked if we had children. Alicia said we had a 15-year-old. Boy or girl? the cabbie asked. Alicia said boy at the same instant I said girl. That was the only night we disobeyed the rules.

Americans working for the government, despite inconveniences and delays, seemed upbeat. "The state of human rights here is improving every day," said Sandra Hodgkinson, a lawyer in the office of human rights and transitional justice. "For over twenty years people couldn't express a view. Now they can speak, write, march, demonstrate." Her husband, David, also a lawyer, is a senior adviser on transitional rights, and the couple are involved variously with torture victims, helping Iraqis recover property, and reintegrating former political prisoners into society. Sandra became a member of Amnesty International while she was still in high school, and David is an idealist about their work. "What we do," he said, "is so much more interesting and exciting than the big money on tax issues or corporate mergers." The couple, in their early 30s, are the kind of optimists and loyalists who can't wait to get to work in the morning. When I asked them to compare Jay Garner, the first postwar administrator, with his successor, Paul Bremer, Sandra fairly bounced. "Garner got us working together in Kuwait," she said, "and Bremer got us all up and running in the governing phase after we arrived here. All I've seen is two great bosses." A team needs team players. This is the kind of enthusiasm that moved mountains in postwar Europe and Japan.

To the victor. Saddam Hussein's opulent Republican Palace, which still displays four massive sculpted heads of the dictator, is now the American headquarters as well as Bremer's office, re-inforcing Iraqi suspicions that the new governing authority is not a different form of leadership but simply a replacement of the old. As Izzi and I approached the throne room, which he had never seen before, he told me Iraqis had been known to vomit or even faint when they were summoned here. They did not know whether Saddam was about to reward or behead them, and he liked to keep them guessing. The throne room is now used as a chapel for the US military. Inside the vast chamber, just above one of the gold thrones, is a mural of SCUD missiles soaring skyward either toward an opposite mural of Jerusalem or possibly toward the other Republican Palace 8,000 miles away. Three chaplains--one each from the Army, Navy and Air Force--took turns posing with a long, shiny ceremonial sword that had belonged to Saddam Hussein. The Air Force chaplain clapped one of Saddam's Gothic World War I helmets on his head and sat on the throne with the sword while the Navy chaplain photographed him. When I approached the Air Force chaplain he put his hand over the name plate on his uniform and turned away. The victors have the spoils but may not want you to know exactly who they are.

One American I met at the Republican Palace is, if anything, even more cheerful about the occupation's prospects than the Hodgkinsons. Steven Connolly works for a private firm contracted to USAID, renovating such facilities as fire stations, clinics and elementary schools. A veteran of the Peace Corps in Africa, Connolly has lived abroad most of his adult life and has already hired more than a thousand Iraqis for his current projects. "The reason the electricity is still not fully on in Baghdad," he said, "is not because Americans aren't paying attention. It's years of neglect compounded by sabotage. Fifty thousand Baathists out there are trying to wreak havoc." Connolly is fully supportive of the war itself--"Saddam Hussein had a repressive regime, he wanted any weapon he could acquire and he had a history of using whatever he could get his hands on"--as well as the aftermath. "We're off to a good start," he said, "but we need replication a thousandfold. The big players are coming in, Bechtel and the others. Now we'll see some real progress."

On the other hand.

The following day an imam, who looked like Christ if he'd lived to be 50, told me solemnly he believes that Iraqis killed under the American occupation are several times more numerous already than under Saddam Hussein. "Saddam was a terrorist," he said, "but Bush is also a terrorist. We demand the Americans withdraw immediately." Like Sheik Al-Adhami, he said Islam specifically rejects any separation of religion and politics. "Shia and Sunni are united as sons of this land in opposing the crime you committed with your decision to come here." The imam urged me, as an American visiting his country, to go to the Mother of All Battles Mosque to see how Iraqis feel.

On the way to the Mother of All Battles Mosque I had to stop at a hotel that is entirely rented to ABC News. A producer there told me the network had just taken a year's lease on a smaller hotel, indicating they're in this, like our government, for the long haul. I wondered what the Iraqis would think about our attention to them, and whether the attention would last a year or fade, as it has in Afghanistan.

The Mother of All Battles Mosque, which was built by Saddam and has minarets shaped like weapons, was the scene of the largest demonstration I saw in Iraq. The demonstration was peaceful, but it was also passionate. "This is a special day," an intense man with a black beard said to me as crowds flocked toward the mosque, "because we are here to resist the occupation." Many of the men wore white skullcaps and long white robes, dishdashas, and the women were either scarved and covered or in the full abaya, a black nunlike garb. Alicia asked a small group of women why they had come, but she was answered by a man. "We're here to resist you, and if you won't listen in your democratic way to our wish that you leave, we'll make you listen in another way."

Two Humvees rolled by with soldiers standing manning their guns. I thought they were on the wrong road at the wrong time, either accidentally or provocatively. But no one showed the slightest interest in them, and the Humvees kept right on rolling.

The crowd, which had arrived in cars and double-decker buses from homes, businesses and other mosques, sat around the outside of the mosque in blistering heat to listen to speeches over booming loudspeakers. The first cleric welcomed a throng he estimated at 20,000. Although the attendance was large, almost circling the mosque itself, I'd have cut his estimate in half. We were not in the section reserved for the press and television trucks, but it was well placed to view both crowd and speakers; the White House media team may have an opposite number among the mosques in Baghdad. The next cleric said it was unacceptable for the governing council to declare April 9--the day Baghdad fell to the Americans--a national holiday because it was a day of disaster for Iraq and Islam.

Speaker after speaker alternated religious chants with exhortations to resist the American occupation. There was special condemnation of the sweeps conducted by US forces. "The invaders are false, and when they make their raids on our homes they spread their destruction and corruption everywhere," an imam said. "They should save their blood and their money and go home. Shia or Sunni, we don't care, but whoever governs us must be an Arab." Loud cheers interrupted him. "The UN Security Council does not deny the right of resistance to occupiers. It is the right of Iraqis to fight the American and British invaders." One of the imams emphasized national reconciliation. "Do not be vengeful toward the Baathists," he said, "but instead let the courts do their work. We must not let the occupation be an excuse for revenge. The occupation will end, a weak shadow never lasts."

A speaker sounding like a cheerleader at a political rally yelled out "no to ethnic and religious division, yes to the liberation of iraq!" The crowd responded with "yes!" I wandered among the demonstrators and saw that many were praying or fingering their prayer beads at the same time as they were responding to the speakers. There was no division, as the imams had told me, between their politics and their faith. A particularly impassioned sheik focused on women and Iraqis working with the Americans. "The occupier humiliates and searches women. A man should sacrifice himself so no one puts a hand on his woman. And you translator agents who work with the occupier, you should know we can issue a fatwa on whoever works with the Americans and you will be killed. We prefer to negotiate, to restrain our anger, but when a man restrains his anger a long time and then releases it, the result will be overwhelming." (This imam had read his Freud along with his Koran that morning.) "Now we are only speaking, but if the occupier keeps on provoking us, we will use the other option."

Before we had entered the mosque grounds, Abu Mustafa told us, in a rare burst of English, "If what anything happens, you come quick to my car." Izzi thought the moment had arrived after the last speaker as the crowd began surging toward the buses and cars. "It's not that anyone is necessarily violent," he said, "but when a demonstration ends things can happen."

When we were back in Abu Mustafa's car, Izzi said the speakers we had heard were only moderates. I asked what was his definition of a moderate. "The moderates say it's your duty to resist the occupation," he said. "The extremists come right out and say kill the infidel. Now." Izzi believed the crowd at the mosque represented only a minority of Iraqis, but it was a growing minority. I asked how he himself felt. "No one wants his country invaded," he said, "but imagine if you had leukemia. You can't get rid of it with surgery, so you have to have chemotherapy, which is hateful and kills your immune system and is even more hateful because it makes you ugly. But it keeps you alive. Once it's over and you're recovered, though, you don't want any more chemo. Saddam was leukemia. Iraq looks ugly after the American chemo, which makes us weak and vulnerable to other diseases, yet the chemo was needed to keep us going and give us a chance. Now the US occupation is a chemo we don't want." Did that mean Izzi was ready for the Americans to leave? "Actually, no," he said. "You created this mess. You put the mud in the muddle we now have. You have to clean this up before you leave."

But don't expect thanks. When I was in the Middle East the first time, in Egypt in early 1958, the streets of Cairo were thronged with revelers rejoicing in the proclamation of the United Arab Republic formed by Egypt and Syria. The force behind the merger was Egypt's president, Gamal Abdel Nasser, who was hoping to initiate an expanded Greater Arabia that could defy the West and be the scourge of Israel. Because President Eisenhower had prevented Great Britain, France and Israel from reversing Nasser's nationalization of the Suez Canal two years earlier, Americans were greeted in a very friendly manner. An Egyptian at the Pyramids told me the United States was pretty good, then added, unforgettably, "I hate the British and French like I love my eyes." Nearby was an American from the Ford Foundation, who was in Egypt to teach scientific farming methods that would allow Egyptian cotton and other crops to compete successfully on the world market because they would be grown so much more efficiently. I said I guessed that between Eisenhower's intervention on Egypt's behalf and the work of people like himself, Egyptians must really like Americans. "I think you'll find," said the agricultural specialist, who had been working abroad since the end of World War II, "that gratitude is a difficult emotion to bear for very long. After a while, it turns to resentment."

The larger point from the United Arab Republic, which was shortly joined--or rivaled--by Jordan and Iraq, forming the Arab Union, is that the vision of pan-Arabism in 1958 remained just that. Arab nationalism, which looked to me both hopeful and frightening when I watched it celebrating itself in Cairo, stumbled over disagreements, contending interests and tribal vendettas going back centuries. Both earlier and later attempts to coalesce the Arab world have ended ingloriously, abetted by Western ruses, with the vision remaining a rainbow. In Iraq, despite feuds between sects, factions and tribes, pan-Arabism has so far not competed successfully with the resolute nationalism expressed in every province, even in the north by the Kurds.

The Jewish question. At a significant number of stops along my journey Jews and Israel were identified as major problems. Jews were once estimated to constitute almost 20 percent of Baghdad; they've been gone for decades. Iraqis have worked for the cause of Palestine since the 1930s, when they tried to mediate between the Arabs, the British authorities and what was then the Jewish Agency. In the 1948 war that followed the establishment of Israel, and in the Six Day War of 1967, Iraq fought somewhat desultorily against Israel's existence. What I found this summer was something like an article of faith that Israel equals belligerent Zionism equals Jews.

At the Polytechnic Institute, a student had identified his own fury at the governing council as rooted in one member who had done business with the Israelis. "Can you imagine that," he yelled, "dealing with Israelis? Shaking hands with Jews!" He almost spat out his words. One day while I was at the American headquarters, I was told that extremists in a Toyota Land Cruiser had fired a volley of bullets into the lobby of a Baghdad hotel because they heard Jews were staying there, which was untrue. The imam who looked like Christ at 50 had warned his congregation that Jews were buying up houses in the neighborhood. He complained that the American authorities had summoned and questioned him for doing this. I asked what evidence he had that Jews were investing in Baghdad real estate. "It's only a rumor," he said, "but I felt it was my duty to pass it along. The Americans say they're staying for five years, and if that's accurate then Iraq will be transformed into a second Palestine."

"Never forget the Palestinians!" one of the speakers at the Mother of All Battles Mosque had commanded. "As soon as the roads are open we will go to fight in Palestine to support the Palestinians as part of our jihad!" Another imam led the crowd in a chant: "oh jews, oh jews, the army of mohammed will be back!" He followed the chant by intoning prayerfully, "God condemns Zionism. We will make no other decision but jihad."

Rasim Mansour, the theater director who had scored his first success playing Macbeth, maintained that Desire Under the Elms achieved a fuller meaning because O'Neill wrote the play about a Jewish family destroyed by its corrupt, aggressive patriarch. I pointed out that the families in the play are the Cabots and Putnams, venerable New England names, anything but Jewish. Rasim held his ground. "No," he said, "this shows what O'Neill thought of Jews and it is also our opinion as Arabs." I reminded Rasim that his other American playwright hero, Arthur Miller, is Jewish. "Yes, it's possible," he said, "but Miller knows the American soul. I'm not against Jews but against some of the Jewish ideas."

What might those be?

You can imagine my surprise when Rasim said the Jewish ideas he doesn't like have to do with money. "Thanks to Israel the American movie industry is great and rich, and movies are mostly in the hands of Jews," he said. "Hollywood is very advanced technically, but I admire the Italian movies more because they have real ideas. Titanic is all the Americans can do well. Spielberg is a Jew and he gives his money to Israel. He's the model for American movies, and he's a good model but he bears Jewish ideals. Why didn't American movies find a place for Orson Welles to work? He only got to make Citizen Kane and afterward he was banned because he didn't adopt the ideas of the Jews." (Somehow it didn't seem worth pointing out that the original screenplay for Citizen Kane was written by a Jew, Herman Mankiewicz.) "Yes," he went on, "it's true the blacklist happened to some Jews as well, but eventually Hollywood adopted Jewish ideas, the main one of which is to run after what is profitable."

I asked whether, as a creative person himself, he admires other artistic Jews besides Arthur Miller. "Oh yes," he said, one of my favorite poets is a Jew." He paused, and I wondered who this educated and well-read man was going to name. "Ezra Pound," he said. For the first and only time in Iraq I found myself yelling, "no, ezra pound was not a jew! in fact, he hated jews so much he made broadcasts for our enemy during world war ii and was arrested for treason afterward. he was not a jew, rasim, please!"

Rasim remained admirably calm. "No, no," he said benignly, "Ezra Pound was a Jew." He smiled. "And a very talented one, too." It occurred to me that when Rasim was having his triumph as Macbeth, perhaps Macduff, just for one performance, could have used a real sword. Rasim is not an Iraqi everyman but neither is he atypical. A high level of culture and education exists in Iraq, along with a persistent strain of tribal superstition, and sometimes these can both be found in the same person.

The point is not that Iraqis are about to mount a pogrom or march on Jerusalem. The point is that anti-Jewish feelings, as well as rhetoric, constitute a theme, religiously and politically, in the life of countless Iraqis. I was told that the killer of Randa's friend Jeff undoubtedly received a bonus when it was revealed that Jeff was Jewish. The Bush Administration has its hands full if it proposes to construct an Iraq that accepts Israel, that can distinguish between Jews and a Jewish state, that can regard a Jew as an individual and not as an embodiment of evil motives. Unlike the other tasks of the occupation, this will not be a reconstruction; it will be an original piece of architecture. The dream of US policy-makers that they can use Iraq as a talisman to bewitch the rest of the Middle East into embracing democracy and Israel may prove as illusory as the Arabs' own quest for regional unity.

Our imperial errand is not so hard to begin, not so easy to complete. We conquistadors currently have a government for whom the dollar is a communion wafer. How much of a surprise is it, then, that we hope to make Iraqis buy everything from education to medical care? If we won't provide these at home, can we really be expected to give them to a vanquished enemy? And then there is the resistance. Each day the bulletin board at US headquarters lists coalition accomplishments--new schools in session, police academy graduations, a clinic reopened. Casualties are also noted--one soldier killed, ten injured, for two days no casualties, then five soldiers killed. With postcombat American deaths surpassing those of the invasion itself, we might ask, What is the acceptable balance among these statistics?

In a sleight of hand faster than the eye can see, combined with an Alphonse-Gaston routine, a US official answers a question about what is going on by telling you to ask the Iraqi governing council, it's their country. Go to the governing council for the answer, and they say the Americans are in charge, ask them. They are both accurate, both insincere. This gives the press the opportunity to cover events staged either by the coalition or the resisters, which allows a pessimist to conclude everything is a mess while the optimist can say it's all going according to plan. The fundamental US public-relations effort is driven not by accurate information but by political doctrine. Eventually, whether we condemn or support the occupation, we look at it through a moral lens, but the lens is ground, and grounded, in America. Iraqis, with their own lens, will never see the same view.

Forget the Bremer operation for a moment: He's doing a good job or a poor job, he has good people with him and they're struggling, or he has self-interested bureaucrats who want to award contracts and then catch on with their clients like Kellogg Brown & Root or Bechtel once the initial phase of the occupation is over. The uglier fact jumping up to be seen and heard is that we are two vitally separate kinds of societies. What the majority of Iraqis I spoke with (of both genders) want to do with women should not happen, in our view, to any human being. Conversely, the society we want to make Iraqis fit into never worked with groups as disparate as Native Americans and Vietnamese, so what makes us think it will work in Iraq?

Japan and Germany are what make us think that. Both of them are, however, homogeneous societies with rich histories of organization, and the main thing we had to do was shift that organization. In both cases it took seven years, but we were able to do it because they were rigorously structured in the first place. Crucially, we had beaten them in long wars that utterly sapped their will to resist, and in the case of one of them we had dropped, in the space of seventy-two hours, two bombs that took the lives of more than 200,000 people, almost all civilians. "Collateral damage" be damned; the civilians were the point. In the case of the other, it was the second time in three decades they had fought, and lost, a major war. No more fight left in those dogs. The army of Iraq mostly did not fight at all, and it assuredly did not surrender.

Iraq today is unarmied, but it is hardly unarmed. Many thousands of former soldiers are out there still, angry young men without jobs or purpose, and you feel this wherever you go in Iraq. They will choose when, where, and whom to attack. In addition, Islamic fundamentalists are coming--a trickle? a stream? who knows?--through the sieve of Iraq's borders from all over Arabia to fight the infidel. In August the insurgency struck down the valiant peacemaker Sergio Vieira de Mello along with at least twenty-two others at UN headquarters in Baghdad. "It just breaks my heart and leaves me so angry," a UN colleague of Vieira de Mello's e-mailed me, "at the arrogance and stupidity of US policy that has created such a muck-up and ruined the lives of so many innocents in the process." Vieira de Mello, who could have been a worthy successor to Kofi Annan, instead became a victim of holy rage stoked by the vanity of a US President who invites violence with his swaggering "bring 'em on" challenge to militants.

One afternoon in US headquarters, at a sparsely attended press conference, an American official from somewhere in the hierarchy's mid-range was announcing the appointment of a number of Iraqi bureaucrats to positions in the police and fire departments of Baghdad, as well as to chairmanships of district and neighborhood councils. Since the event was not considered important enough to warrant the presence of a translator, and since the appointees of course knew what their new jobs were, they simply sat and looked up appreciatively at the speaker they did not understand. "The power," the American official concluded truthfully, "has just now shifted back to the Iraqis."

(C) The Nation